Monday, October 24, 2011

The Morality of Tattoos and Body Piercing


by Father Peter Joseph

Many upright people are repelled by modern fads and fashions, such as tattooing, multiple earrings and other body piercing, but feel unequipped to give a clear judgment on the morality of such practices, or to rebut the charge that they are elevating their personal preferences into a moral code. In this article, I will set out some criteria that are relevant to making a moral judgment on these In the Old Testament, the Chosen People were specifically commanded: “You shall not make any cuttings in your flesh…or tattoo any marks upon you: I am the Lord” (Leviticus 19:28). Inspired by God, St. Paul admonishes us: “Do you not know that your body is a temple of the Holy Spirit within you, which you have from God?” (1 Cor 6:19). Being a temple of the Holy Spirit, we owe our body due care and protection and decorum. In some cultures, a special bodily mark or design – on the forehead, for example – signifies a certain attainment or marital status, or whatever, and is socially acceptable. Ethiopian Christians, to name one group, wear tattoo crosses on their foreheads. In Samoa, it was once a widespread custom to tattoo the eldest son or daughter of the local ruling family. In Western societies, earrings and makeup are acceptable as a part of feminine fashions and public presentability. But certain types of body piercing and decorations in our society are extreme and unjustified, and some of them are motivated by anti-Christian sentiments.

It would be impossible to give black-and-white judgments on all bodily decorations. But we can point to a few negative aspects that should be of concern to a Christian. Unless otherwise stated, this article will refer to Western societies only. I will treat the more serious concerns first and then the less serious.

1. Diabolical images. Tattoos of demons are quite common, yet no Christian should ever sport an image of a devil or a Satanic symbol.

2. Exultation in the ugly. This is a mark of the Satanic, which hates the beauty of God’s creation and tries to destroy it and to ruin others’ appreciation of it. More than just being ugly, some body piercing is the expression of delight in being ugly.

We recognize bad taste in tattoos, rings and studs, by looking at their nature, size, extent and place on the body. Ironically, even florid and colorful tattoos fade over time and end up looking dark and dreary. When one considers how, in concentration camps, prisoners were treated like animals and branded on their arm with a number, it is amazing to think that people today adopt similar markings as if they were fashionable or smart. This is truly the sign of a return to barbarity, the behavior of people who do not have any sense of the dignity of the human person.

3. Self-mutilation and self-disfigurement. This is a sin against the body and against the Fifth Commandment. Some body piercing verges on self-mutilation. At best, multiple body piercing is self-inflicted abuse. A form of self-hatred or self-rejection motivates some to pierce themselves or decorate themselves in a hideous and harmful fashion. The human body was not made by God to be a pin cushion or a mural.

4. Harm to health. Doctors have spoken publicly on this health issue. In 2001, researchers at both the University of Texas and the Australian National University reported on harm to health caused by tattoos and body piercing. Some earrings (on the navel, tongue or upper ear) are unhealthy and cause infections or lasting harm such as deformities of the skin. They can also poison the blood for some time (septicaemia). Certain piercings (e.g., on the nose, eyebrows, lip, tongue) do not close over even when the object is removed. Such body piercing, therefore, is immoral, since we should not endanger health without a reasonable motive. When done unhygienically, tattoos and piercing cause infection. A used instrument, if not properly sterilized, can transmit hepatitis or HIV.

Some have hoped to avoid health dangers by getting “henna” tattoos, which are painted on rather than done with needles. Henna staining is an ancient Hindu wedding custom of painting floral designs on the feet and hands. A German Medical Association report this year found that tourists returning home with hennas done in Bali and Bangkok, among other places, were going to the doctor because of severe skin infections and sometimes lifelong allergies. In some cases also, the coloring agent used meant that the tattoo faded away, but after several weeks of skin irritation, the design reappeared in the form of a reddish tattoo, often very painful for the patient. Allergies developed from 12 hours to a week after the application of the henna, causing intense itching, redness, blistering and scaling.

5. A desire to shock and repel. It can be appropriate to shock people, as for example, when one recounts the plight of poor and hungry people, or protests against crimes or terrible exploitation. This can be a healthy thing, when done properly and with due care, to arouse people out of complacency, so that they realize something must be done. But to shock people for the thrill of shocking people, with no intention to promote truth and goodness, is not a virtue, but a sign of a perverted sense of values.

In evaluating tattoos under this heading of repulsiveness, we look at the nature of the images, the size and number of the tattoos, and their place on the body. In evaluating piercings, we consider similarly their extent and location on the body.

6. Indecency and irreverence. It is always immoral to get or exhibit tattoos of indecent images or phrases, or derisive figures of Our Lord or His Mother or holy things.

7. Signs of a sexual disorientation. Pirates used to be the only males who wore earrings (for whatever reason!) while sailors and side-show freaks were just about the only people with tattoos. What was once so restricted has now spread to wider sections of the community. In the 1970s, an earring worn by a man in the left ear, or the right, or both, was a code-sign of his personal orientation and thus a form of picking up partners. As such, it was blatantly immoral, and generally an advertisement of one’s immorality. Earrings in boys and men are so common now that they have lost that significance, but they are never positively demanded by social requirements, as a suit and tie are socially required on certain formal occasions. Even admitting the lack of clear symbolism now, I would expect any seminary to tell any inquirer that he would have to remove any earring or stud before entering, and question him as to when he started wearing it and why. A seminarian or priest sporting an earring is not socially acceptable in the Catholic Church. A good number of parishioners would wonder about the deeper reasons or motivation. No one in such a public position starts to wear an earring without making a deliberate decision. As a wise old Jesuit priest said to me once, “No one changes externals without having changed internals.” It is regarded as what people call “making a statement.” The same code of expected conduct applies to men in other professions, such as policemen or teachers.

Employers and principals should make rules outlawing any such jewelry for male staff and students. Especially for the young, such rules protect them both from themselves and from peer pressure. The fact is that, still today, earrings are prevalent among females, and in minority use among males.

8. Unsuitability. Sometimes people tattoo themselves with a big image of a crucifix or other holy pictures. The human body is a most unsuitable place for such an image, even if it be a beautiful one. Whenever these people go swimming, for example, they are exhibiting this image in an inappropriate fashion. No priest would ever go down to a shopping center in Mass vestments, not because there is something wrong with vestments, but because there is a time and a place for donning special religious symbols.
9. Vanity. Some men in particular tattoo their upper and lower arms in order to be ostentatious and impressive. It is a means of drawing attention to themselves. No one who meets them can fail to notice the tattoos – to the point at which it is in fact a constant distraction. It detracts from the person, and focuses attention too much on the body’s external appearance. The same can be said for a stud on the tongue, a ring in the nose, or earrings all over one’s ears and eyebrows. These are not part of our culture; at most, they are part of a certain subculture, a minority affectation, devoid of religious or positive social significance. No one is saying it is wrong to dress up, but here it is a question of moderation and discretion. Sacred Scripture implicitly recognizes that it is good for a bride to be adorned for her husband when the heavenly Jerusalem is compared to such a woman (Apoc. 21:2). It is good for a lady to be well dressed and to use makeup when the occasion calls for it, but everyone recognizes when the embellishment has gone over the top and makes her look seductive or cheap.

10. Immaturity and imprudence. An action acceptable or indifferent in itself can become wrong if the intention or motive is wrong. Some young people adopt outrageous fashions out of an immature desire to rebel against society or against their parents. Such disobedience against parents is sinful. Some do it out of an immature desire to conform to their friends, and others out of an equally immature desire to stick out from everyone around them. Some do it out of boredom, because it is something different, because it gives them a thrill, because it is something for their friends to admire and comment on. Mindless following of fads is always the mark of immaturity. For young people who live at home under their parents’ authority, it is enough if their parents express their disapproval of such fashions to know that they should not go ahead. Some young people go to further extremes and vie with each other as to who can pierce whatever part of the body the most. Parents must forbid such behavior absolutely.

Young people can hardly justify the big expenditure (not to mention the pain) involved in getting a tattoo. It is also unjustified and just plain silly to mark your body for life with images of no great worth or with the name of one’s current lover. A recent example I heard of gives an idea of the time and expense: a young girl had one arm tattooed up and down. It required two four-hour sessions and cost $1,000 (American).

Tattoos are more serious than other adornments since they are more or less permanent marks on the body. Many a man or woman have been tattooed gladly in youth, but regretted it not so many years later when they came to regard it as an embarrassing disfigurement. Once they mature, they pay dearly for the luxury of getting rid of it. The removal of tattoos is expensive and difficult – and can leave scars. The removal of big tattoos requires surgery under a general anaesthetic, with all the potential risks, plus the significant medical and hospital costs. The removal of large tattoos can leave big segments of the skin permanently disfigured or blotched, like skin that has been burnt. Many adults find themselves ineligible for some jobs, because businesses will not employ them with their hands covered in tattoos, impossible to conceal years after their youthful folly.

Universal Criteria
In any culture, things can arise, become acceptable, and become part of the culture – but this does not necessarily make them right. Here are some examples from foreign cultures that I regard as equally wrong. In one tribe of Africa, women wear gigantic and heavy earrings that change the shape of the earlobes. In another place, women put coils around their necks and elongate them unnaturally, or put plates in their mouths to make the lips protrude some inches. In China, there was once the practice of binding girls’ feet tightly to stop them from growing, because small, dainty feet were admired. These and other drastic alterations to the natural growth of the human body must be judged immoral, as forms of abuse springing from vanity.

It is not always possible to draw an exact line and say where the bounds of moderation have been exceeded. But this does not mean that there is no line. No one can define at what exact temperature a day passes from being cool to cold, but everyone knows that when the temperature is near zero, it is cold beyond dispute. Let us never fall for the ploy that tries to argue from borderline or difficult cases that there are no guidelines or principles, and that there is no such thing as a just mean or moderation, just because they are hard to define.

The human body is meant to be treated with care, not maltreated or disfigured. Its dignity and beauty must be kept and cultivated, in order that it be an expression of the deeper beauty of the soul.

Father Peter Joseph is vice-rector and lecturer in dogma at Vianney College, the diocesan seminary of Wagga Wagga, Australia.

Friday, August 26, 2011

Jesus Christ is in every book of the Bible…



In Genesis, Jesus is the Seed of the Woman
In Exodus, He is the Passover Lamb
In Leviticus, He is the Priest, the Altar, and the Lamb of Sacrifice
In Numbers, He is the Pillar of Cloud by day and the Pillar of Fire by Night
In Deuteronomy, Jesus is the Prophet, like Moses
Come and kneel before Him now
In Joshua, Jesus is the Captain of Our Salvation
In Judges, He is our Judge and Lawgiver
In Ruth, He is our kinsman Redeemer
In 1 and 2 Samuel, He is our Trusted Prophet
In Kings and Chronicles, He is our Reigning King
In Ezra, He is the rebuilder of the broken down walls of human life
Come and kneel before Him now
In Nehemiah, Jesus is our Restorer
In Tobit, He is the Messenger of New Life
In Judith, He is Weakness Turned into Victory
In Esther, He is our Advocate
In 1 and 2 Maccabees, He is the Leader who dies for God’s law
Come and kneel before Him now
In Job, Jesus is our Everliving Redeemer
In Psalms, He is our Shepherd
In Proverbs, He is our Wisdom
In Ecclesiastes, He is our Hope of Resurrection
In the Song of Songs, He is our Loving Bridegroom
In Wisdom, He is the emanation of God’s thought
In Ecclesiasticus, Jesus is our security
Come and kneel before Him now
In Isaiah, Jesus is the Suffering Servant
In Jeremiah, He is the Righteous Branch
In Lamentations, He is our Weeping Prophet
In Baruch, He is the Mercy from the Eternal One
In Ezekiel, He is the One with the Right to Rule
In Daniel, Jesus is the Fourth Man in the fiery furnace
Come and kneel before Him now
In Hosea, Jesus is the Faithful Husband forever married to the sinner
In Joel, He is the One who Baptizes with the Holy Spirit of Fire
In Amos, He is the Restorer of Justice
In Obadiah, He is Mighty to Save
In Jonah, He is our great foreign missionary
In Micah, He is the feet of one who brings Good News
Come and kneel before Him now
In Nahum, Jesus is our stronghold in the day of trouble
In Habakkuk, He is God my Savior
In Zephaniah, He is the King of Israel
In Haggai, He is the signet ring
In Zechariah, He is our Humble King riding on a colt
In Malachi, Jesus is the Son of Righteousness
Come and kneel before Him now
In Matthew, Jesus is God with us
In Mark, He is the Son of God
In Luke, He is the Son of Mary, feeling what you feel
In John, He is the Bread of Life
In Acts, Jesus is the Savior of the World
Come and kneel before Him now
In Romans, Jesus is the Righteousness of God
In 1 Corinthians, He is the Resurrection
In 2 Corinthians, He is the God of all comfort
In Galatians, He is your liberty. He sets you free
In Ephesians, Jesus is the Head of the Church
Come and kneel before Him now
In Philippians, Jesus is your Joy
In Colossians, He is your Completeness
In 1 and 2 Thessalonians, He is your Hope
In 1 Timothy, He is your Faith
In 2 Timothy, Jesus is your Stability
Come and kneel before Him now
In Titus, Jesus is Truth
In Philemon, He is your Benefactor
In Hebrews, He is your Perfection
In James, He is the Power behind your Faith.
In 1 Peter, He is your Example
In 2 Peter, Jesus is your Purity
Come and kneel before Him now
In 1 John, Jesus is your Life
In 2 John, He is your Pattern
In 3 John, He is your Motivation
In Jude, He is the Foundation of your Faith
In Revelation, Jesus is your Coming King
He is the First and the Last.The Beginning and the End. He is the Keeper of Creation and the Creator of All. He is the Architect of the Universe and the Manager of All Time. He Always Was, He Always Is, and He Always Will Be. UnmovedUnchangedUndefeated, and Never Undone.
He was bruised and brought healing. He was pierced and eased pain. He was persecuted and brought freedom. He was dead and brought life. He is risen and brings power. He reigns and brings peace.
The world can’t understand Him. The armys can’t defeat Him. Schools can’t explain Him and the leaders can’t ignore Him. Herod couldn’t kill Him. The Pharisees couldn’t confuse Him. The people couldn't hold him. Nero couldn’t crush Him. Hitler couldn’t silence Him. The New Age can’t replace Him. And Oprah can’t explain Him away.
He is LifeLoveLongevity, and Lord.  He is GoodnessKindnessGentleness and God. He is HolyRighteousMightyPowerful, and Pure.
His Ways are Right, His Words Eternal, His Rules Unchanging, and His Mind is on me.
He is My Redeemer, He is My Savior, He is My God, He is My Priest, He is My Joy, He is My Comfort, He is My Lord, and He rules my life.

Thursday, August 4, 2011

Farmers cares about the protection of children and the communities in which we live.



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Saturday, June 25, 2011

Les Misérables Revisioned Review


After seeing Les Misérables 7 times, including London, I was really disappointed with the 8th. In "celebration" of the 25th anniversary of Les Misérables, Cameron Mackintosh decided to ruin the greatest musical in Broadway history. I do not plan to see it again, and I have always wanted to see the show in New York. Oh well, I have the soundtrack and can watch it in my head forever.








SPOILER ALERT










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Neutral Changes 
1.       In the beginning scene, rather than working a chain gang breaking rocks in a quarry, Jean ValJean is enslaved as an oarsman on a ship. As I recall this is accurate to novel. HOWEVER, in the song, when Jean ValJean is receiving his pardon he says, "19 years a slave of the law" to which Javert responds, "5 years for what you did, the rest because you tried to run." So enlighten me as to how a man shackled below deck on a ship is going to have opportunities for escape. 

EPIC FAILS 
1.     Removal of Chairs and Tables.
a.     When Jean ValJean is the guest of the bishop, in the original, he and the bishop sat at a table and as the song progressed, there was actual acting that went along with it. The housekeeper set on the table a silver platter with food on it and Jean ValJean grabbed it, as a starving convict would, lyrics "He let me eat my fill, I had the lion's share" Then the bishop blew out the candles in the silver candlesticks on the table and heads to bed. This scene felt like we were inside Jean Valjean's head hearing his thoughts. In the revisioned, there is simply a single chair that Jean ValJean sits upon, the candlesticks are on a cabinet containing the silver Jean ValJean will steal. The servant and bishop standing behind Jean ValJean as he sings to the audience. This is almost in the way Ferris Bueller talks to the audience.
b.     For the song “Empty Chairs at Empty Tables” after the barricade has fallen, in the original, Maruis is sitting at a table in the Café and there are several other tables all surrounded by empty chairs. As Marius sings, behind him was a screen, providing a wall of the café, with darkness beyond, as he sings, “Phantom faces at the window. Phantom shadows on the floor. Empty chairs at empty tables. Where my friends will meet no more.” Those who died on the barricade, currently in the dark beyond the screen move forward towards the screen into the light, so there was a ghostly appearance through the screen and appeared as though they were phantom faces at the window. In the revisioned, Maruis is standing (wtf? He’s injured and can barely walk) in the alley or something, projected onto the wall is a faded sign with the name of the café so it looks like he is outside, and as he sings, the fallen meander out from the side of the stage and surround him, he walks up to them, singing in their faces.
2.     Removal of the Turntable
a.     Originally used throughout the show Les Misérables utilized a revolving stage, this element has been removed altogether and for some sequenced replaced by a digital projection (another fail topic). So the stage created motion, like in the beginning, after Jean ValJean is pardoned, he is walking against the rotating stage, which brings him through farmers working the land, then the rotation stops with him among the workers and he begins working. Then when the refuse his help the stage rotates and they move away as he continues walking. This is a minor illustration…
                                                              i.      In the Thénardier’s Tavern for “Master of the House” there is a partitioned area 90º off the main part of the show set up as the kitchen, so during the song the Thénardiers go into the kitchen for the lyrics, “Mix it in a mincer, and pretend it's beef; Kidney of a horse; Liver of a cat; Filling up the sausages with this and that…” and so for that scene, the stage rotated so that the kitchen was center stage, then when they return to the dining room the stage rotated back.
                                                            ii.      The most epic fail is with the Barricade. During the battle, Gavroche climbs over the barricade, which the stage rotates to show him robbing the corpses of dead French soldiers for ammunition, as he is singing he is shot, several times from the back of the theater, but manages to throw a satchel of ammo to the revolutionaries, and when he is shot the last time, the white light of his soul comes on. Then the battle ensues, the revolutionaries facing the audience are shooting and shots and flashes are going off from around the theater. The audience is actually placed in the middle of the battle. Then when the battle is over, the stage rotates, and the lights are on the fallen, as Jean ValJean prys up a sewer cover and pulls an unconscious Marius into the sewers, closing the cover just as Javert makes his way over the barricade looking for him, checking the bodies of the fallen. In the revisioned, there is no rotating stage, when Gavroche crosses the barricade, nobody sees him or really knows what he is doing. He is singing about “the pup grows up” and getting shot at. I must say the stupidest part is that his death light comes on while he is singing the last line, so before he is dead. Also, for most all of the barricade scenes the actors are all facing away from the audience. In fact there is a lot more of the actors facing away in the revisioned than there was in the original.
                                                          iii.      When Eponine leads Marius to Cosette, Cosette was behind the gate downstage, and Maruis and Eponine were upstage on the outside of the gate, then as Marius climbs the wall the stage rotated so Marius and Cosette were upstage and Eponine downstage. Then the stage rotated again when Thénardier and the gang arrive and find Eponine at the gate. When Eponine screams they are all outside the gate. In the revisioned the Thénardier gang come through the gate and find Eponine on the inside of the courtyard and Cosette and Maruis have gone into the house after kissing in front of Eponine.
                                                          iv.      Other uses of the rotating stage included the runaway cart, but that was minor and worked well without the rotation. The most noticeable is the changing of sets. With the rotating stage in the dark beyond the lights items could be placed on the stage and then the actors walked to them as the stage rotated. Now items are slid onto the stage from the sides of the curtain. 
3.     Projection Screen Use and Abuse.
There are very few instances where the screen is good and more that it is not. 
a.     I will start with the good, In the sewers, the first scene is really good, Jean ValJean is carrying Marius and walks toward the back of the stage, again with their backs to the audience, and as he is walking the projection is like a video moving through a sewer, so it looks 3d almost as if we are following with them in the sewer.
b.     A second, not as good, use is in scenes like “What have I done?” in which the dark outline of the town with stars is projected onto the screen, giving a feeling of depth.
c.      Most of the screen is not really used for anything significant, like displaying the aforementioned wall of the café. It has a feeling of “ooh look what we can do…”
4.     Unnecessary Violence 
a.     So when Jean ValJean is trying to find work or a place to stay the night, the “law abiding folk” assault him, beat him down and kick him while he is on the ground. Really?!?
b.     When Fantine, as a prostitute assaults the “rat” she bites him and her face is covered in blood as is his, and he is holding a blood soaked handkerchief. 
c.      When Eponine is at the ValJean gate and the Thénardier’s gang arrives, one of the thugs violently attacks her with a knife which brought about the scream that warns Cosette and Marius and bring Jean ValJean out to check on Cosette.
d.     At the wedding, Marius punches Thénardier in the face. 
In Master of the House, Mme Thénardier sings, “Thinks he's quite a lover, but there's not much there.” She holds up a baguette, and then with a cleaver maniacally chops it into little pieces. 

Minor Annoyances that are different (in no particular order): 
1.     When Javert joins the revolution, in the original they are all tying red, white and blue sashes around themselves, now they are not, but in the next scene all have the sashes.
2.     When Javert joins the revolution, Gavroche is present, why didn’t Gavroche blow Javerts cover then.
3.     At the end of Master in the House, I rather liked when Mme. Thénardier sings the lyric, “Raise it up the master's arse.” She is holding a wine bottle and rams it into M. Thénardier’s backside.
4.     At the end, the entire ensemble appears in the closing when Jean ValJean dies, as I recall from previous viewings it was only the fallen from the barricade. Also, they are singing in a low voice, in the dark downstage and move forward into the light, getting louder as they become more visible. 
5.     The MICROPHONES. OMG!!! Everyone has a black microphone taped to their forehead. No that is not distracting in the least. What are we Les Misérables INDIA? In my 7 previous viewings I have never seen microphones on the actors. In seeing any other Broadway Musical I have never seen microphones on the actors, except the Aladdin show at Disneyland, and those are at least flesh colored. What gives??? 
OK, well there are a couple things that I did like, it is not all bad.
1.     Throughout the show, people were almost constantly making “the Sign of the Cross” upon themselves. Even Mme. Thénardier incorrectly attempts to make the Sign of the Cross upon herself when she sings “It's no more than we Christians must do!” in the Waltz of Treachery.
2.     The runaway cart, I never really understood in the original, why nobody would help Jean ValJean lift the cart off of the man trapped under it. In the revisioned the broken cart contains cannons and teetering kegs of explosives. So this really dramatizes: 
a.     How heavy the cart must have been.
b.     Why nobody would approach a cart with unstable kegs of black powder precariously teetering upon it. 
3.     At the closing, after Jean ValJean has passed, the bishop is among those presumed to be in Heaven, and bows to him as if to say well done.
This is nowhere near complete, I will likely add to it as I think of more grievances. 

Monday, May 30, 2011

7 Reasons to be Catholic

Dr. Peter Kreeft is a convert to the Catholic faith from Dutch Calvinism. He teaches philosophy at Boston College and has authored a number of books on matters of faith and reason. Many of his writings and talks are available at peterkreeft.com. His lecture "7 Reasons to be Catholic" focuses on a number of philosophical approaches but primarily centers on reasons why a Protestant Christian might consider fuller communion with the Catholic Church.

Part 1 - http://www.youtube.com/watch?v=W27w4ROc4CE
Part 2 - http://www.youtube.com/watch?v=KjrcGKejaPQ
Part 3 - http://www.youtube.com/watch?v=dp44qk24f3k
Part 4 - http://www.youtube.com/watch?v=nRpTpj_77tY
Part 5 - http://www.youtube.com/watch?v=ld3sHUUikm0